#shorts #viral #tiktok #viralvideo #trend #tiktoktrend #tiktokvideo #hollywood Sydney Sweeney has once again found herself at the center of internet controversy. This time, it’s over her new Fall 2025 campaign with luxury brand Jimmy Choo.
In the ad, Sweeney takes on different alter egos, each inspired by a shoe or bag from the collection. The campaign is flashy, dramatic, and very Hollywood — presenting her as a chameleon who can slip into new identities with ease. For Jimmy Choo, it’s all about transformation, with accessories acting as symbols of power and expression.
But while many fans praised her beauty and versatility, the internet’s reaction wasn’t all positive. Some users criticized her poses and even took cheap shots at her appearance, while others admired her style but couched it in envy. The discussion quickly turned into the usual mix of stanning, nitpicking, and outright hate that tends to follow modern celebrities.
What really reignited debate, though, was one particular scene: Sweeney striking a ballerina-like pose. For some viewers, this brought back memories of a controversy from late 2022, when she was photographed in pointe shoes for an editorial. At the time, professional dancers accused her of “mocking ballet,” saying her technique and posture disrespected years of rigorous training. Accounts like @modelsdoingballet openly criticized the shoot, while others defended it as simply fashion photography.
Now, two years later, people are conflating the old ballet backlash with her latest Jimmy Choo ad. Critics on TikTok called it “shameful,” arguing she was once again pretending to be a ballerina without respecting the craft.
But in reality, Jimmy Choo’s Fall 2025 campaign has little to do with dance. It’s not about pirouettes — it’s about selling glamour, fantasy, and permission to transform. The brand’s creative director Sandra Choi described it as “a modern fable of feminine expression,” where shoes and accessories create characters like Scarlett, Isa, and Tylor — each one representing a mood, not a profession.
Still, the criticism highlights a bigger question: where does fashion cross the line between inspiration and appropriation? And how much responsibility should celebrities carry when their ads borrow from specialized art forms like ballet?
Whether you see it as art, marketing, or mockery, one thing is certain: casting Sydney Sweeney guarantees attention. She has star power, social media buzz, and the ability to stir conversation, whether fans love her, envy her, or criticize her. And in Hollywood, that’s exactly what brands are paying for.
In the ad, Sweeney takes on different alter egos, each inspired by a shoe or bag from the collection. The campaign is flashy, dramatic, and very Hollywood — presenting her as a chameleon who can slip into new identities with ease. For Jimmy Choo, it’s all about transformation, with accessories acting as symbols of power and expression.
But while many fans praised her beauty and versatility, the internet’s reaction wasn’t all positive. Some users criticized her poses and even took cheap shots at her appearance, while others admired her style but couched it in envy. The discussion quickly turned into the usual mix of stanning, nitpicking, and outright hate that tends to follow modern celebrities.
What really reignited debate, though, was one particular scene: Sweeney striking a ballerina-like pose. For some viewers, this brought back memories of a controversy from late 2022, when she was photographed in pointe shoes for an editorial. At the time, professional dancers accused her of “mocking ballet,” saying her technique and posture disrespected years of rigorous training. Accounts like @modelsdoingballet openly criticized the shoot, while others defended it as simply fashion photography.
Now, two years later, people are conflating the old ballet backlash with her latest Jimmy Choo ad. Critics on TikTok called it “shameful,” arguing she was once again pretending to be a ballerina without respecting the craft.
But in reality, Jimmy Choo’s Fall 2025 campaign has little to do with dance. It’s not about pirouettes — it’s about selling glamour, fantasy, and permission to transform. The brand’s creative director Sandra Choi described it as “a modern fable of feminine expression,” where shoes and accessories create characters like Scarlett, Isa, and Tylor — each one representing a mood, not a profession.
Still, the criticism highlights a bigger question: where does fashion cross the line between inspiration and appropriation? And how much responsibility should celebrities carry when their ads borrow from specialized art forms like ballet?
Whether you see it as art, marketing, or mockery, one thing is certain: casting Sydney Sweeney guarantees attention. She has star power, social media buzz, and the ability to stir conversation, whether fans love her, envy her, or criticize her. And in Hollywood, that’s exactly what brands are paying for.
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